Was Hector Berlioz writing music to get over his obsession with his distant love, Harriet Smithson? 14 (titre original : Épisode de la vie d'un artiste, symphonie fantastique en cinq parties) est une œuvre d'Hector Berlioz, dédiée à Nicolas I er de Russie et créée le 5 décembre 1830 au conservatoire de Paris, sous la direction de François-Antoine Habeneck, six ans après la neuvième symphonie de Beethoven Berlioz - Symphonie fantastique Mariss Jansons conductor Bavarian Radio Symphony … I. Rêveries – Passions (Träume – Leidenschaften) ∙II. The work is organic in an entirely new way, its subject shocked and generally upset three whole generations of concert-goers, and it is largely timeless, except in its subject matter. • Switch back to classic skin, Alternative Names/Transliterations: Louis-Hector Berlioz, Article by Richard Macnutt on recent forgeries (1960s) of Berlioz letters, Amitié, reprends ton empire, H 10 (Berlioz, Hector), Le ballet des ombres, H 37 (Berlioz, Hector), Béatrice et Bénédict, H 138 (Berlioz, Hector), La belle voyageuse, H 42 (Berlioz, Hector), Benvenuto Cellini, H 76 (Berlioz, Hector), Canon libre à la quinte, H 14 (Berlioz, Hector), Le Carnaval romain, H 95 (Berlioz, Hector), Chant des chemins de fer, H 110 (Berlioz, Hector), Le chasseur danois, H 104 (Berlioz, Hector), La damnation de Faust, H 111 (Berlioz, Hector), Le Dépit de la bergère, H 7 (Berlioz, Hector), L'enfance du Christ, H 130 (Berlioz, Hector), Fleurs des landes, H 124 (Berlioz, Hector), Grande messe des morts, H 75 (Berlioz, Hector), Grande symphonie funèbre et triomphale, H 80 (Berlioz, Hector), Hymne à la France, H 97 (Berlioz, Hector), Hymne des Marseillais, H 51A (Berlioz, Hector), Hymne pour l'élévation, H 100 (Berlioz, Hector), Hymne pour la consécration du nouveau tabernacle, H 135 (Berlioz, Hector), Intrata di Rob-Roy MacGregor, H 54 (Berlioz, Hector), Invitation à louer Dieu, H 143 (Berlioz, Hector), Le jeune Pâtre breton, H 65 (Berlioz, Hector), Lélio, ou le retour à la vie, H 55 (Berlioz, Hector), Marche funèbre pour la dernière scène d'Hamlet, H 103 (Berlioz, Hector), Méditation religieuse, H 56 (Berlioz, Hector), La menace des Francs, H 117 (Berlioz, Hector), Le montagnard exilé, H 15 (Berlioz, Hector), La mort d'Ophélie, H 92 (Berlioz, Hector), La mort de Cléopâtre, H 36 (Berlioz, Hector), Nessun maggior piacere, H 114 (Berlioz, Hector), Overture 'King Lear', H 53 (Berlioz, Hector), Overture 'Le Corsaire', H 101 (Berlioz, Hector), Overture 'Waverley', H 26 (Berlioz, Hector), Pleure, pauvre Colette, H 11 (Berlioz, Hector), Quartetto e Coro dei Maggi, H 59 (Berlioz, Hector), Rêverie et Caprice, H 88 (Berlioz, Hector), La révolution grecque, H 21 (Berlioz, Hector), Roméo et Juliette, H 79 (Berlioz, Hector), Sara la baigneuse, H 69 (Berlioz, Hector), 8 scènes de Faust, H 33 (Berlioz, Hector), Sérénade agreste à la madone sur la thème des pifferari romains, H 98 (Berlioz, Hector), Symphonie fantastique, H 48 (Berlioz, Hector), Le temple universel, H 137 (Berlioz, Hector), New Edition of the Complete Works (Berlioz, Hector), Album de musique pour l'orgue expressif (Alexandre, Edouard), Chronique Musicale de Paris (Mainzer, Joseph), Collection de mélodies, H 139 (Berlioz, Hector), A Collection of Concert Overtures (Oesterle, Louis), Feuillets d'album, H 121 (Berlioz, Hector), Gedichte von Goethe in Compositionen (Friedlaender, Max), Aufforderung zum Tanze, Op.65 (Weber, Carl Maria von), Der Freischütz, Op.77 (Weber, Carl Maria von), La danse des fées, Op.41 (Prudent, Émile), 3 Grands duos concertants, Op.11 (Bessems, Antoine), Grand traité d'instrumentation et d'orchestration modernes, Op.10 (Berlioz, Hector), Lettres inédites de Hector Berlioz à Thomas Gounet (Berlioz, Hector), Lettres inédites de Hector Berlioz (Berlioz, Hector), http://imslp.org/index.php?title=Category:Berlioz,_Hector&oldid=2895210, Creative Commons Attribution-ShareAlike 4.0 License. Was this symphony his way of saying goodbye, or even seeking revenge? ISMN M-006-49504-7 [Piano Reduction, by Hugh Macdonald. It well documents Berlioz's position as one of the orchestral pioneers of the early nineteenth century. La Symphonie fantastique op. Symphonie Fantastique: Épisode de la vie d'un Artiste...en cinq parties (Fantastic Symphony: An Episode in the Life of an Artist, in Five Parts), Op. Beethoven's music established the Romantic ideal; instead of fitting suitable music into classical forms, Beethoven reconfigured the symphony and the personnel of the orchestra to accommodate his emotional expression. The following 6 pages are in this category, out of 6 total. Op.14: Symphonie fantastique; Première partie de l’Épisode de la vie d’un artiste [H 48, 1845] Op.14bis: Lélio; Monodrama lyrique; Deuxième partie de l’Épisode de la vie d’un artiste (previously called Le retour à la vie: mélologue en six parties) [H 55, 1855] Op.15: Grande Symphonie funèbre et triomphale [H 80, 1843] Berlioz provided his own preface and program notes for each movement of the work. 14, in full Symphonie fantastique: épisode de la vie d’un artiste, English Fantastic Symphony: Episode in the Life of an Artist, orchestral work by French composer Hector Berlioz, widely recognized as an early example of program music, that attempts to portray a sequence of opium dreams inspired by a failed love affair. Symphonie fantastique is a piece of program music that tells the story of an artist gifted with a lively imagination who has poisoned himself with opium in the depths of despair because of hopeless, unrequited love. Benvenuto Cellini [Weimar version] Shakespeare, as presented by the Irish actress, Harriet Smithson, changed Berlioz's life forever. BA 5457. xix + 241 pages. Symphonie fantastique. Abtheilung I: French with parallel German translation, published 1907, xvii + 280 pp. Volume 16: Symphonie fantastique. Harold en Italie. Abtheilung II: French with parallel English translation, published 1907. Band 12. Roméo et Juliette I: Rêveries, passions II: Un Bal III: Scène aux champs IV: Marche au supplice V: Songe d’une Nuit du Sabbat See also Texts and Documents; Berlioz and his music: self-borrowings. Berlioz couldn't get enough of it. Symphonie Fantastique (Paris, December 5, 1830) Close Analysis. Kassel: Bärenreiter. Recitatives for Weber’s Der Freischütz, Op.28 1: Symphonie fantastique, Op.14, pp.3–150 (148 pages) Plate H.B. TP331. List of works by Franz Liszt; Liszt's versions of works by others; Liszt Complete Editions . 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